Calder: Nonspace (Hauser & Wirth Publishers) takes its title from a 1963 essay by American novelist James Jones, written after his encounter with a group of large-scale sculptures at Alexander Calder’s studio in Saché, France. In his essay, reprinted in this book, Jones describes the artist’s extraordinary ability to create works that transform their environments, as Calder’s deep understanding of architectural and natural environments enabled him to reorder a viewer’s perception of the world surrounding his sculptures.
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